Sabtu, 17 Januari 2015

* Download Ebook Hitler's Rocket Soldiers: Firing the V-2s Against England, by Murray Barber

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Hitler's Rocket Soldiers: Firing the V-2s Against England, by Murray Barber

In the final, desperate months of World War Two, at a time when the German war machine was considered by the Allies to be an almost spent force, Adolf Hitler unleashed a new weapon against England and western Europe that fell from the silence of the Earth’s upper atmosphere and the edge of space. It was a weapon that struck fear into the hearts and minds of wartime civilians; it came without warning and defense was impossible. This was an unseen threat that fell at supersonic speeds, leveling suburban streets to dust in seconds, terrorizing the residents of London and Antwerp – this was the V2 Rocket.The V2 – ‘Vergeltungswaffen Zwei’ (Vengeance Weapon 2), designed by the rocket scientist and engineer, Wernher von Braun, and his colleagues at the secret Nazi research center at Peenemünde, was the most sophisticated weapon developed in Europe during the war. Following the end of hostilities, von Braun and many in his team transferred their allegiance to the United States and subsequently went on to design the mighty Saturn V that took the Americans to the moon. The experiences of von Braun’s rocket team are well documented, but somewhat surprisingly, some aspects of the V2 story remain largely uncovered. This is especially true from the German perspective and more specifically, the view of the men who formed the firing teams for this formidable weapon that embraced supersonic technology. From September 1944 to early 1945, V2 launch teams fired more than 3,000 rockets, each with a high-explosive one-ton warhead, at targets in England, France, Belgium, Holland and even within Germany itself. Many rockets were fired from mobile launch sites in The Hague and from concealed wooded areas hidden from Allied aircraft, using fleets of modern, purpose-built transporters and trailers with sophisticated ancillary and support vehicles.For the first time, this book tells the story of the V2 through the eyes and experiences of the men who not only fired the missiles at targets such as London, Norwich, Antwerp and Paris, but also of some of the military scientists and technicians involved in its development. The authors have spent many years tracking down and interviewing the few surviving veterans of these little-known and secretive units and have unearthed new and rare information from firsthand accounts. These are the unique recollections of the ‘Rocket Soldiers’ who have spoken candidly to the authors about their wartime duties.The accounts show that, mostly, they were not stereotypical and idealogically indoctrinated ‘Aryan warriors’, but very ordinary soldiers and technicians living through extraordinary times, handling the most sophisticated weapon ever developed in pre-nuclear Europe. The book also describes the development of German rocketry following the end of the First World War and the technology embodied within the V2. The veterans tell of their first encounters with the awesome new rocket and how, having survived the devastating RAF raid on Peenemünde, training was dispersed to test sites in Poland. They recall the move to forward firing positions, gun battles with the Resistance and the start of the rocket offensive. In truth, the more battle-experienced veterans knew that the V2 was a waste of valuable human and matériel resources – a last-ditch hope to save a desperated regime. Conversely, the book illustrates how inexperienced troops drafted directly to the V2 units from basic training, vainly hoped and believed that the fortunes of war would turn in Germany’s favor. The veterans tell of their desperate experiences when the inevitable defeat came, as they were rushed to the east to defend Berlin where so many Rocket Soldiers lost their lives. Yet while some V2 troops ended the war with tears of regret for a robbed youth, others shed tears of frustration, knowing that they would never live through such extraordinary times again.Hitler’s Rocket Soldiers forms an important new contribution to our understanding of the German w...

  • Sales Rank: #1518996 in eBooks
  • Published on: 2012-06-12
  • Released on: 2012-06-12
  • Format: Kindle eBook

About the Author
Michael Keuer was born in 1959 in Hannover, Germany and is a senior software developer in a veterinarian pharmaceutical supply company. He has always had a keen interest in historical technical developments and the personalities behind scientific advancement. Following the reunification of Germany, he was able to visit the previously restricted area of Peenemunde to see the remains of the development works from where the V-2 rocket was created and launched. During World War Two his grandfather worked as a technical skilled worker at Peenemunde and indeed Michael's father was born just 32 kilometres away from the cradle of modern space science. As his interest grew, he met Murray Barber and the two decided to research the reminiscences of the last few remaining men involved in the military development and employment of this extraordinary weapon of war. Murray R. Barber F.R.A.S., was born in 1956 and is married with two children. He lives in Devon, England where he pursues several business interests that are related to astronomy. He has developed and written curriculum support information for the teaching of astronomy and also on the history of ancient Egypt that is in use in planetariums worldwide. Since his schooldays he has always been interested in the history of World War Two and in particular its aviation. The V-2 rocket represents a crossover of his two main interests - the wartime V-2 being the very first man-made object to enter space and which was to lead, ultimately, to vehicles travelling beyond Pluto. Through the International V-2 Research Group he met Michael Keuer and, following visits to see the remains of the Peenemunde research and development establishment on the Baltic coast, they decided to research, together, the history of the V-2 rocket. It was to fill the void of first-hand accounts of the operational use of the weapon, that the idea for this book was born. Murray R. Barber is a fellow of the Royal Astronomical Society.

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12 of 12 people found the following review helpful.
The Story of V-2 Field Operations, Superbly Told
By Terry Sunday
When Murray Barber of England and Michael Keuer of Germany met through the International V-2 Research Group, they realized that they shared an interest in researching and documenting the history of the V-2's tactical deployment in the waning days of World War II. Their years-long collaboration resulted in "Hitler's Rocket Soldiers," an extraordinary volume filled with first-hand reminiscences of the last few surviving men who developed and fired the world's first practical ballistic missile. This fascinating and historically significant book fills a void in the story of the "Vergeltungswaffe-Zwei" by showing how the troops in the field used the rocket weapon developed at Peenemünde by Wernher von Braun's technical team.

Through advertisements that Mssrs. Barber and Keuer placed in German newspapers, 11 former Wehrmacht rocket troops eventually contacted the authors and agreed to be interviewed--a process that took place over a period of seven years. These veterans' stories make up the bulk of "Hitler's Rocket Soldiers," 206 pages out of a total of 284. These are far more than traditional "oral histories," though. Each chapter features the story of one of the 11 soldiers, but goes far beyond simply relating their personal reminiscences by presenting their experiences in broader historical and technical contexts. These tales of life "in the trenches" are fascinating indeed.

But there's much more to "Hitler's Rocket Soldiers" than a bunch of bierstube banter. The first section of about 40 pages covers the V-2's genesis, development and testing at Peenemunde, a detailed description of the rocket, and the formation of the organizational infrastructure put into place to deploy the weapon. The "end matter" includes 11 appendices containing such things as V-2 technical specifications, a map of the August 1943 Allied bomber attack on Peenemünde, drawings of V-2 storage and firing positions, and much more. Plus there are several maps of V-2 operations in Europe and 97 black-and-white photos, many of which I've never before seen in print, in two inserts totaling 32 pages. The amount and quality of information in "Hitler's Rocket Soldiers" is remarkable. To my knowledge, this story has never before been told, and certainly not to the depth and breadth that authors Barber and Keuer do in this volume.

I offer only one caveat. The print in "Hitler's Rocket Soldiers" is small--very small. It looks to me like about a six-point font. I've posted a few photos to show this. The small text in no way detracts from the importance, value and appeal of the book, and you can fix the "problem" by positioning a strong light source over your shoulder. That minor nit aside, "Hitler's Rocket Soldiers" is one of the most fascinating, best-produced and interesting books I've read in many years. I enthusiastically give it my highest recommendation.

4 of 5 people found the following review helpful.
too many errors
By Col William Russell (ret)
I've had a long interest in the history of the V-2 spurred by a copy of General Dornberger's book when I was in high school, at that time probably the only book about the project. Since then (over the past 50 years) I've read and collected most of the books written on this as well as the V-1. The strength of this book is the chapters of the various personnel who worked with the field operations of the V-2 are certainly worth reading. What prevents me from giving this book 5 stars is its numerous errors, grammatical as well as technical. Such are small such as their prolific use of exclamation marks where a period would work better; the constant capitalization of the word "Rocket" when it's not a specific name; the lack of hyphens between the V designations (they should be A-4, V-1, V-2, and V-3); and others. Then there are numerous technical errors. On page 27 they call liquid oxygen a fuel. It isn't. It's the oxidizer. On the same page they call ethanol (ethyl alcohol) "Ethanol alcohol" which is incorrect. Then on page 29 they erroneously state that the V-3 was to use hydrogen peroxide to "progressively accelerate" a projectile. According to every history I've read, the gun was designed to use explosive charges along the barrel but the few successful firings used solid rocket motors for this purpose. Also, on the same page, they confuse pulse jet and ram jet. The pulse jet requires a certain velocity to maintain the process of combustion and re-opening the vanes but at no point does it or could it become a ram jet. Again, these may be small errors to some but ones that could have easily been avoided by more careful reading of their subject matter and if the small things are incorrect, how can the larger ones be trusted. I advise potential readers to skip the first two chapters.

A better book on the history and development of the V-1 and V-2 is Dieter Holsken's "V-Missiles of the Third Reich."

1 of 1 people found the following review helpful.
interesting
By Marcel N
Found this book an interesting read. Did go on a bit in some parts. Would have liked more technical information. As always I find the photos and diagrams are difficult to really see clearly on the kindle. despite this still enjoyed this book.

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Selasa, 13 Januari 2015

## Free PDF Assassin, by Anna Myers

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Assassin, by Anna Myers

Bella isn't evil. But even people with good intentions can end up doing bad things. Especially when they meet people with the power to persuade them to do almost anything, like John Wilkes Booth-the most charismatic and famous actor of his time.

So when Booth sets his sights on Bella, an assistant seamstress to Mary Todd Lincoln, to help with his plot to kidnap President Lincoln, he is able to persuade her to betray her president and even turn her back on the boy she has loved her entire life. Bella believes Booth is only trying to force the North to release Southern war prisoners, and will not harm her dear friend Mr. Lincoln. But the kidnapping plot fails, and now Booth will stop at nothing--even if it means harming Bella in the process.
Anna Myers has crafted a provocative new look at the Lincoln assassination through the eyes of both a young White House insider and the assassin himself. An author's note provides the historical background to this tragic event.

  • Sales Rank: #771900 in eBooks
  • Published on: 2012-11-15
  • Released on: 2012-11-01
  • Format: Kindle eBook

From School Library Journal
Grade 7 Up–Through the device of a fictional young woman interacting with historical figures, Meyers provides readers with a glimpse of the people, events, and surroundings of a dramatic time in history In alternating chapters, John Wilkes Booth and Arabella Getchel, a 14-year-old White House seamstress, relate the story. Booth's unstable emotional state is revealed in his zealous passion for the Confederacy and intense hatred of the Union as symbolized by President Lincoln. The novel offers a good opportunity for discussion about the assassin, his motivations, and, in this case, how he drew an unsuspecting girl into his scheme. An author's note delineates truth from fiction.–Denise Moore, O'Gorman Junior High School, Sioux Falls, SD
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
In alternating chapters of first-person narrative, Myers novel tells of Bella and an actor she idolizes, John Wilkes Booth. After her mother's death, eight-year-old Bella goes to live in Washington City with her grandmother, a seamstress at the White House. Over the next six years, Bella attends school, develops one close friendship, learns to sew, takes her grandmother's position at the White House, moonlights in the costume shop at Ford's Theatre, and is befriended by Booth, eight years her senior. Meanwhile, Booth travels to Charleston for the hanging of John Brown, finds success on the stage, suffers through the election and later the reelection of Lincoln, and develops alliances that he hopes will be useful as he plots against the president he despises. Myers has taken on an ambitious project, given the novel's dual-narrator structure, its lengthy time frame, and the burden of conforming to the main facts regarding historical figures and events. One of the greatest difficulties is writing convincingly from both an adult's and child's point of view, but she carries off the project credibly. Suggest this to readers who enjoyed Gary Blackwood's Second Sight (2005); readers wanting more facts may want to try James Cross Giblin's excellent Good Brother, Bad Brother: The Story of Edwin Booth and John Wilkes Booth (2005). Carolyn Phelan
Copyright © American Library Association. All rights reserved

About the Author
Anna Myers is the author of more than one dozen books for Walker & Company, including Tulsa Burning, a New York Public Library Book for the Teen Age, and Flying Blind, an Oklahoma Book Award finalist. Anna lives in Tulsa, Oklahoma.

Most helpful customer reviews

4 of 4 people found the following review helpful.
A good read, but not for my ten-year-old
By Kristal
I read this book myself after my ten year old brought it home to read as a reading assignment. I am glad I chose to screen it, because I did not find it appropriate for her age group.

The book was so good, though, that I could not put it down. I was intrigued by the historical detail intertwined with Arabella's fictional character. My heart pounded and I tried to imagine if these were indeed Booth's thoughts, or if his were more evil. A real page-turner.

3 of 4 people found the following review helpful.
assassin
By A Customer
"He noticed me then. I could feel his eyes on my burning face, but I looked only at the hem of the coat I held in my lap. My heart pounded as I heard his steps on the floor..." The book Assassin written by Anna Myers is about the story of Arabella Getchel and John Wilkes Booth. They tell their stories of what happened during the Civil War in the U.S. I liked this book because it has the views of two very different people telling about how they felt towards the war and their own lives. This book wasn't that good since it was a historical fiction book.

The book didn't spark my interest that much with the historical fiction part of the book, but it did spark me with the cause and effect action of Arabella. Cause and effect happened in most cases, such as, when Wilkes, as John Wilkes Booth liked to be called, tried to persuade Bella, as Arabella liked to be called, into helping him kidnap President Abraham Lincoln. At her part in the book, which switches off every chapter starting with Bella, she felt she had to decide between her father and Mr. Lincoln. While I was reading I was thinking on how she acted for the Union throughout the whole book unto this point, and so I thought she was going go with what she knew was right.

Another thing that kind of got a spark going was what I learned about Wilkes in this book. I know it's not accurate but it does say he felt strongly for the South I didn't know he was that distinct about what he calls his "beloved South," even though he was born and from Maryland which was in the North.

This book seemed like it was written for someone who likes books like Across Five Aprils or any other books that have to do with the Civil War and fictional people. I didn't like the book that much because it was historical fiction. I like present day books made for teens.

I recommend this book for someone in 5th or 6th grade that like historical fiction. Its interesting turns in its plot would make these people keep reading the book.

T. Shepard

0 of 0 people found the following review helpful.
Fantastic teaching tool
By M. Deckard
I am an eighth grade reading teacher who was looking for something different to teach to her students. I came across this book by accident (I bought it at a book fair a few years before and placed on my classroom bookshelf, thus forgetting about it.). After reading it through years later, I realized what a great teaching tool this book truly is. Besides teaching the four essential elements of literature, this book also has great examples of concepts such as foreshadowing, allusion, suspense, irony, and both internal and external conflict. My students were FASCINATED with this book and loved it-some to the point that many finished the book way ahead of schedule (Literally, I had several students that not only finished the assigned chapter, but read the entire rest of the book!). With bringing other supplemental activities, like reading the eulogy of Willie Lincoln, my students not only got to read a terrific book, but the history teacher loved their enthusiasm covering the same topics in her class...and my standardized test scores were up this past year, too!

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  • Sales Rank: #5404141 in Books
  • Published on: 2006
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0 of 0 people found the following review helpful.
Review by Daliya, 4th grader
By Jess
If I had to rate Al Capone Does My Shirts, between 1-10, I would give it 9.4. I gave it that, because I found it very interesting to see what life was like on Alcatraz Island. I also enjoyed reading how it could be very hard in school to be thought of the kid who lives on Alcatraz, or how not everyone one the island is always nice to people. I really liked the character The Warden. The book made it very clear that he was boss. It also was very fun to read about how he was really clueless about the real Piper. The Piper who was disobeying each and every one of his rules, right under his very nose!

However, I was not so amused with part two. By then in my opinion, like Moose, I was tired of Piper schemes. I would have probably made her learned her lesson very well, or changed in some way for better or worse. I liked how in the book they managed to make Al Capone a very big part in part three, and how they give him a very mysterious way of doing everything, and by not telling how he does that make it even better. I also liked how the author did not tell how everything happened at the end, which makes you really want to read Al Capone Shines My Shoes, even more.

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Senin, 12 Januari 2015

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Elements of Fracture Fixation, by Anand J. Thakur

An excellent book covering the biomechanical and clinical aspects of each ‘element’ of fracture fixation and informs on different effective methods of use in a very concise and lucid manner.

Exceedingly valuable for postgraduate students, orthopaedic surgeons and teaching faculties as the book provides the basics and biomechanics of both new and old elements of fracture fixation. The simple sketches and descriptions will help the students and trainees to easily understand the basic and scientific rationales of modern operative fracture treatment.

    • Techniques and implants involved in the management of fracture have been discussed in detail.
    • Provides current knowledge on structure, design, material properties and functions of screws, plates, nails, wires and external fixators.
    • Contains the relevant facts about commonly used implants in a simple and precise language.
    • Essentially deals with metals used in fracture fixation and with the elements in some details.
    • Deals with the structuring of the wreckage of the old bones.
    • Highlights the different instruments used in fracture fixation along with the methods.

New to this Edition

  • New chapter on osteoporosis and fracture fixation.
  • New topics included in this edition are: totally novel concepts of screw design and effective plate fixation, methods in osteoporotic bone stabilization, biomechanics of elastic stable intramedullary nail, innovative methods and devices to prevent cutout of sliding hip screw, fresh information on cable fixation and utilization of Kirschner wire, elements of ring fixator, latest materials in fracture treatment and contemporary norms of metal removal.

  • Sales Rank: #2034738 in eBooks
  • Published on: 2012-06-07
  • Released on: 2012-06-07
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Excellent training materials for orthopaedic residents
By CYF
The first edition was read at my residency and found it intuitive, helps a lot when I practiced in traumatology. After the Kindle edition, new sessions about locking plate was added and updated the previous information. I found it good in choosing implants and explaining choices to patients, and should be best for training resident doctors!

0 of 0 people found the following review helpful.
Unfrickenbelievable!
By david p. sokolow
Came across this by accident. Extremely well-written, readable, wealth of information that must be read by any surgeon who does fracture surgery. What a gem!

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Minggu, 11 Januari 2015

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名古屋の人気者が、1年ぶりに待望の新作を発表します。

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さまざまな相談にドアラが真摯にこたえています。
また「もしもしドアラ相談室 緊急センター」「ドアラ軍曹の説教部屋」など、
相談者のニーズに応じて、様々なサービスをご用意いたしました。

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ドアラへの思いを切なく語る「ドアラとTシャツと私」、
『つば九郎のおなか』(つば九郎著)とのコラボレーション企画
「東名首マスコット会談 ドアラバージョン」も収録。

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(注)『東名首マスコット会談 ドアラバージョン』はつば九郎との対談を収録。
対談の内容(文章)は『つば九郎のおなか』とまったく同じものが入りますが、
写真やキャプション、見出しなどが「ドアラバージョン」オリジナルとなっています。

  • Published on: 2009-02-28
  • Released on: 2012-02-24
  • Format: Kindle eBook

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Sabtu, 10 Januari 2015

! PDF Download Independent for Life, by Henry Cisneros, Margaret Dyer-Chamberlain

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Do you want to age independently in your own home and neighborhood? Staying home, aging in place, is most people's preference, but most American housing and communities are not adapted to the needs of older people. And with the fastest population growth among people over 65, finding solutions for successful aging is important not only for individual families, but for our whole society. In Independent for Life, former HUD Secretary Henry Cisneros and a team of experts on aging, architecture, construction, health, finance, and politics assess the current state of housing and present new possibilities that realistically address the interrelated issues of housing, communities, services, and financial concerns.

Independent for Life covers a wide range of smart solutions, including remodeling current housing and building new homes for accessibility and safety, retrofitting existing neighborhoods to connect needed services and amenities, and planning new communities that work well for people of all ages. Case studies show how the proposals can be implemented. The authors offer action plans for working with policy makers at local, state, and national levels to address the larger issues of aging in place, including family financial security, real estate markets, and the limitations of public support. Lists of essential resources, including a detailed "to do" list of aging in place priorities and an individual home assessment, complete the volume.

  • Sales Rank: #1004013 in eBooks
  • Published on: 2012-06-01
  • Released on: 2012-06-01
  • Format: Kindle eBook

About the Author
Henry Cisneros, former Secretary of Housing and Urban Development and four-term mayor of San Antonio, is Executive Chairman of CityView, a company that specializes in urban real estate, in-city housing, and metropolitan infrastructure. Cisneros is the author of several books, including Interwoven Destinies: Cities and Nation and Our Communities, Our Homes: Pathways to Housing and Homeownership in America’s Cities and States.

Margaret Dyer-Chamberlain is Senior Research Scholar and Managing Director at the Stanford Center on Longevity.

Jane Hickie is Senior Research Scholar and Director of the Politics, Scholars, and the Public Program at the Stanford Center on Longevity.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Outstanding review of policies and programs for housing for aging in America
By David Hoicka
This is an outstanding overview of policies and programs for housing and community for aging in America by 29 seasoned experts. "Independent for Life: Homes and Neighborhoods for an Aging America" edited by Henry Cisneros, Margaret Dyer-Chamberlain and Jane Hickie, is a thorough and detailed discussion of all aspects of aging in America, focusing on housing and community issues. Subdivided into 6 sections, 20 chapters, introduction and conclusion, and 336 pages, with numerous charts, graphs, and color photographs, it is like an encyclopedia in its scope.

The topics covered are shown below, according to the table of contents. These topics show the breadth of the comprehensive coverage of this volume.

I also found it fascinating to read about the writers, and their short bios at the end of each chapter. These are experts who have more than "been there, done that", and are leaders in their fields in creatively seeking solutions to providing homes and neighborhood care for our aging population.

Henry Cisneros is a former Secretary of HUD, four-term mayor of San Antonio, Texas, is also executive chairman of CityView. He is a member of the advisory boards of the Bill and Melinda Gates Foundation and the Broad Foundation, and was president of the National League of Cities.

Laura L. Carstensen, founding director of the Stanford Center on Longevity, is professor of psychology at Stanford University. She is a member of the MacArthur Foundation Research Network on an Aging Society.

Jane Hickie is senior research scholar and director of the Politics, Scholars, and the Public Program at the Stanford Center on Longevity.

Contents

Foreword, by John W. Rowe
John W. Rowe is a professor in the Department of Health Policy and Management at Columbia University. Previously, he was chairman and CEO of Aetna Inc. and president and CEO of Mount Sinai NYU Health. He was professor of medicine and founding director of the Division on Aging at Harvard Medical School, as well as chief of gerontology at Boston's Beth Israel Hospital. Currently, he leads the MacArthur Foundation's Research Network on Aging.

PART I Introduction: Independent/ Successful Longevity
1. New Visions for Aging in Place, by Henry Cisneros
2. A Hopeful Future, by Laura L. Carstensen

PART II Demographics and Challenges
3. Changing Demographic Realities, by Adele M. Hayutin
4. Future Social and Economic Changes, by Anthony Downs

PART III Housing and Services
5. From Home to Hospice: The Range of Housing Alternatives, by Elinor Ginzler
6. Community Services, by Jennie Chin Hansen and Andrew Scharlach

PART IV Homes
7. The Home Environment and Aging, by Esther Greenhouse
8. Technology Solutions, by Eric Dishman
9. A Contractor's Perspective, by Greg Miedema
10. A Case Study: Interior Design for Aging in Place, by M. Robbins Black
11. Multifamily Housing, by Hipolito Roldan
12. A Case Study: The Freedom Home, by Keith Collins

PART V Neighborhoods
13. Healthy Communities, by Lawrence D. Frank
14. Local Community Action, by Ron Littlefield and Robert H. McNulty
15. Retrofitting Suburbs, by Ellen Dunham-Jones and June Williamson
16. Longevity and Urbanism, by Elizabeth Plater-Zyberk and Scott Ball
17. Neighborhood Development, by Christopher B. Leinberger and Michael Glynn

PART VI Strategies for Change
18. Vulnerable Populations, by Fernando Torres-Gil and Brian Hofland
19. Housing Finance, by Richard K. Green and Gary D. Painter
20. A Political Strategy, by Shirley Franklin and Jane Hickie

Conclusion: Aging in Place, by Henry Cisneros

"Independent for Life" is an important and useful addition to the professional library of housing and community practitioners, and is a new classic. The many authors are to be commended for their hard work and excellent presentations on this important topic, providing hope for good housing and community as all age in America.

Reviewed by David Hoicka

6 of 6 people found the following review helpful.
A must read for both the young and the aging!
By Patsy Brundige
Anyone who plans to live beyond 55, or those who have made that passage...this is a book for you, and for me! It is factual, challenging, and inspirational. Each chapter can stand alone, and is written by authorities on the subject and inclues detailed source notes. Living independently for all of life is the goal, with the necessary components discussed in reader friendly fashion. This is a life-changing, life-enriching book!

0 of 0 people found the following review helpful.
A very good summary on issues of aging in place
By mj
If you are a baby boomer, read this book. It covers the many barriers that will challenge your ability to age in place in your home and community, e.g., financial issues, health problems, environmental hazards in the home, and whether your community is walkable or has public transportation. Maybe you've watched your parents struggle and want to save yourself from the same scenario.

This book doesn't need be a wake up call, because everyone wants to plan for aging, and everyone will always be able to drive. Read this book to find out why none of that sentence is true.

This book is targeted for the general public, but it is useful for the professional and the academic.

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Jumat, 09 Januari 2015

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London's Slough House is where the washed-up MI5 spies go to while away what's left of their failed careers. The "slow horses," as they’re called, have all disgraced themselves in some way to get relegated here. Maybe they messed up an op badly and can't be trusted anymore. Maybe they got in the way of an ambitious colleague and had the rug yanked out from under them. Maybe they just got too dependent on the bottle—not unusual in this line of work. One thing they all have in common, though, is they all want to be back in the action. And most of them would do anything to get there─even if it means having to collaborate with one another.

Now the slow horses have a chance at redemption. An old Cold War-era spy is found dead on a bus outside Oxford, far from his usual haunts. The despicable, irascible Jackson Lamb is convinced Dickie Bow was murdered. As the agents dig into their fallen comrade's circumstances, they uncover a shadowy tangle of ancient Cold War secrets that seem to lead back to a man named Alexander Popov, who is either a Soviet bogeyman or the most dangerous man in the world. How many more people will have to die to keep those secrets buried?

  • Sales Rank: #111650 in eBooks
  • Published on: 2013-05-07
  • Released on: 2013-05-07
  • Format: Kindle eBook

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A TIMES CRIME AND THRILLER BOOK OF THE YEAR
A SUNDAY TIMES TOP 50 CRIME AND THRILLER BOOK OF THE PAST 5 YEARS
A 2014 BARRY AWARD BEST THRILLER NOMINEE
A 2014 MACAVITY AWARD BEST MYSTERY NOVEL NOMINEE


“Smart, sharp British wit at its finest. A uniquely brilliant take on the British spy novel.”
─Cara Black, New York Times bestselling author of Murder Below Montparnasse

“Funny, clever . . . Genuinely thrilling. The novel is equally noteworthy for its often lyrical prose.”
─Publishers Weekly, Starred Review

“A great romp.”
─Jeff Park, BBC Front Row

“Delightful . . . with a dry humor reminiscent of Greene and Waugh.”
—Sunday Times, Best Thrillers and Crime Novels of the Past 5 Years

“Clever and funny.”
─The Times

“Herron delivers unbeatable entertainment for thriller fans.”
─Library Journal, Starred Review

“[A] wickedly clever send-up of the classic British spy novel.”
─Crime Writers' Association

“If you like your suspense novels told with a smart dash of wit and sarcasm, filled with lots of twists and turns, Herron's your man.”
─Shelf Awareness

“[Dead Lions] features some of the twistiest plotlines in crime fiction...[and] is beautifully written but also elegantly structured . . . Ever since finishing Slow Horses, I've been waiting for a possible sequel. Now that it's here, I have the pleasure of experiencing it, along with the pang of having finished it.”
─International Noir Fiction

"Herron provides a dour, twisty spy thriller with something for everyone: part post–Cold War miasma, part James Bond heroics, and elliptical withal."
─Kirkus Reviews

“Dead Lions is at once a finely wrought thriller and a farcical, fiercely pointed tale of political greed and bureaucratic corruption. Mick Herron writes like a dream.”
─Open Letters Monthly

“A surreal, cynical, yet amusing look at the world of British intelligence . . . a looking-glass world that features KGB undercover agents, a Russian oligarch, a text message on a mobile phone and the ghost of a fabled Soviet spymaster who may not be real . . . an amusing, serpentine plot that takes readers as far from the glamorous world of Ian Fleming’s tuxedo-wearing spy as could be imagined.”
─January Magazine, Best Books of 2013

“Full of style and cynical humor . . . Has all the punch-your-lights-out action of a movie thriller.”
─Read Me Deadly


Praise for Mick Herron
 
"Mick Herron never tells a suspense story in the expected way . . . In Herron's book, there is no hiding under the desk."
─The New York Times Book Review
 
"Stylish and engaging."
─The Washington Post
 
"[A] masterful thriller . . . The intricate plot, coupled with Herron's breezy writing style, results in superior entertainment that makes most other novels of suspense appear dull and slow-witted by comparison."
─Publishers Weekly, Starred Review
 
"Like a good movie . . . grabs the reader from the first page."
─Booklist, Starred Review

About the Author
Mick Herron was born in Newcastle and has a degree in English from Balliol College, Oxford. He is the author of two books in the River Cartwright series, "Slow" "Horses "and "Dead Lions", as well as a mystery series set in Oxford. He now lives in Oxford and works in London.

Excerpt. © Reprinted by permission. All rights reserved.
A fuse had blown in Swindon, so the south-west network ground to a halt. In Paddington the monitors wiped departure times, flagging everything ‘Delayed’, and stalled trains clogged the platforms; on the concourse luckless travellers clustered round suitcases, while seasoned commuters repaired to the pub, or rang home with cast-iron alibis before hooking up with their lovers back in the city. And thirty-six minutes outside London, a Worcester-bound HST crawled to a halt on a bare stretch of track with a view of the Thames. Lights from houseboats pooled on the river’s surface, illuminating a pair of canoes which whipped out of sight even as Dickie Bow registered them: two frail crafts built for speed, furrowing the water on a chilly March evening.
          All about, passengers were muttering, checking watches, making calls. Pulling himself into character, Dickie Bow made an exasperated tch! But he wore no watch, and had no calls to make. He didn’t know where he was headed, and didn’t have a ticket.
          Three seats away the hood fiddled with his briefcase.
         The intercom fizzed.
         “This is your train manager speaking. I’m sorry to have to inform you we can’t go any further due to trackside equipment failure outside Swindon. We’re currently—”
         A crackle of static and the voice died, though could faintly be heard continuing to broadcast in neighbouring carriages. Then it returned:
         “—reverse into Reading, where replacement buses will—”
         This was met with a communal groan of disgust, and not a little swearing, but most impressively to Dickie Bow, immediate readiness. The message hadn’t ended before coats were being pulled on and laptops folded; bags snapped shut and seats vacated. The train shunted, and then the river was flowing in the wrong direction, and Reading station was appearing once more.
         There was chaos as passengers disgorged onto crowded platforms, then realised they didn’t know where to go. Nor did Dickie Bow, but all he cared about was the hood, who had immediately disappeared in a sea of bodies. Dickie, though, was too old a hand
to panic. It was all coming back to him. He might never have left the Spooks’ Zoo.
         Except in those days he’d have found a patch of wall and smoked a cigarette. Not possible here, which didn’t stop a nicotine pang twitching inside him, or a sudden wasp-sharp sting pricking his thigh, so real he gasped. He gripped the spot, his hand brushing first the corner of an oblivious briefcase, then an umbrella’s slick damp nastiness. Deadly weapons, he thought. Your nine-tofivers carry deadly weapons.
         He was crowded onwards, like it or not—, and suddenly everything was okay, because he’d secured visible contact once more: the hood, a hat shielding his bald head, his case tucked under an arm, stood near the escalator to the passenger bridge.
So, corralled by weary travellers, Dickie shuffled past and up the moving stairs, at the top of which he sidled into a corner. The main exit from the station was across this bridge. He assumed that was the route everyone would take, once instructions about buses were issued.
         He closed his eyes. Today was not ordinary. Usually by this time, just after six thirty, all sharp edges would have been smoothed away: he’d have been up since twelve, after five hours’ stormy shut-eye. Black coffee and a fag in his room. A shower if needed. Then the Star, where a Guinness and whisky chaser would either set him right or serve him notice that solids were best avoided. His hardcore days were over. Back then, he’d had his unreliable moments: drunk, he’d mistaken nuns for whores and policemen for friends; sober, he’d made eye-contact with ex-wives, no recognition on his side, and only relief on theirs. Bad times.
        But even then, he’d never had a gold-standard Moscow hood shimmy past without clocking him for what he was.
         Dickie became aware of action: an announcement about buses had been made, and everyone was trying to cross the bridge. He hung by the monitor long enough for the hood to pass, then allowed himself to be carried forward, three warm bodies behind. He shouldn’t be this close, but there was no accounting for the choreography of crowds.
         And this crowd was not happy. Having squeezed through the ticket barriers on the other side, it hassled the station staff, who placated, argued, and pointed at the exits. Outside was wet and dark, and there were no buses. The crowd swelled across the forecourt. Crushed in its embrace, Dickie Bow kept both eyes on the hood, who stood placidly, waiting.
         An interrupted journey, thought Dickie. You played the odds in this line of work—he had forgotten he was no longer in this line of work—and the hood would have finished processing them before getting off the train; he would go with the flow, make no
fuss; continue on his way by whatever means presented. Where this might be, Dickie had no idea. The train had been Worcesterbound, but made plenty of stops before then. The hood could be getting off anywhere. All Dickie knew was, he’d be getting off there too.
         And now there were buses, three of them, pulling round the corner. The crowd tensed, pressed forward, and the hood sailed through the mass like an icebreaker carving an Arctic field, while Dickie slipped through spaces in his wake. Someone was calling instructions, but didn’t have the voice for it. Long before he’d finished, he was drowned out by the muttering of people who couldn’t hear.
         But the hood knew what was what. The hood was heading for the third bus, so Dickie sidled through chaos in his wake, and boarded it too. Nobody asked for a ticket. Dickie simply trotted on and headed for the rear, which boasted a view of the hood, two
seats ahead. Settling back, Dickie allowed his eyes to close. In every operation came a lull. When it did, you shut your eyes and took inventory. He was miles from home, with about sixteen quid on him. He needed a drink, and wouldn’t get one in a hurry. But on the upside, he was here, it was now, and he hadn’t known how much he’d missed this: living life, instead of easing through it on the wet stuff.
         Which was what he’d been doing when he’d spotted the hood. Right there in the Star. A civilian’s jaw would have hit the table: what the hell? A pro, even a long-defunct pro, checked the clock, drained his Guinness, folded the Post and left. Loitered by the bookies two doors down, remembering the last time he’d seen that face, and in whose company. The hood was a bit player. The hood had held the bottle, poured its contents directly into Dickie’s clamped-wide mouth; strictly a non-speaking role. It wasn’t the hood who sent electric shivers down Dickie’s spine . . . Ten minutes later he emerged, and Dickie fell into step behind him: Dickie, who could follow a ferret through a wood let alone a leftover ghost. A blast from the past. An echo from the Spooks’ Zoo.
         (Berlin, if you insisted. The Spooks’ Zoo was Berlin, back when the cages had just been unlocked, and frightened thugs were pouring from the woodwork like beetles from an upturned log. At least twice a day, some sweating would-be asset was at the door claiming to have the crown jewels in a cardboard suitcase: defence details, missile capability, toxic secrets—and yet, for all the flurry of activity, the writing was on the newly dismantled Wall: everyone’s past had been blown away, but so had Dickie Bow’s future. Thanks, old chap. Afraid there’s not much call for your, ah, skills any more . . . What pension? So naturally, he’d drifted back to London.)
         The driver called something Dickie didn’t catch. The door hissed shut and the horn was tapped twice; a farewell note to the lingering buses. Dickie rubbed his thigh where the edge of a briefcase or umbrella-tip had nipped him, and thought about luck,
and the strange places it dragged you. Such as, from a Soho street into the tube and out the other end; into Paddington, onto a train, then onto this bus. He still didn’t know whether that luck was good or bad.
         When the lights went out the bus briefly became a travelling shadow. Then passengers switched overhead bulbs on, and blue screens gleamed upwards from laptops, and fists wrapped round iPhones grew spectrally white. Dickie fiddled his own phone from his pocket, but he had no messages. There were never any messages. Scrolling through his contact list, he was struck by how short it was. Two seats in front, the hood had rolled his newspaper into a baton, wedged it between his knees, and hung his hat upon it. He might be asleep.
         The bus left Reading behind. Through the window, dark countryside unfurled. Some distance off, an ascending sequence of red lights indicated the mast at Didcot, but the cooling towers were invisible.
         In Dickie’s hand, the mobile was a grenade. Rubbing his thumb on its numberpad, he registered the tiny nipple on the middle button that allowed you to orient your fingers in the dark. But nobody was hanging on Dickie’s words. Dickie was a relic.
The world had moved on, and what would his message be anyway? That he’d seen a face from the past, and was following it home? Who would have cared? The world had moved on. It had left him behind.
         Rejection came softer these days. Dickie heard occasional whispers on the Soho songlines, and these days even the useless were given a chance. The Service, like everyone else, was hamstrung by rules and regulations: sack the useless, and they took you to tribunal for discriminating against useless people. So the Service bunged the useless into some godforsaken annex and threw paperwork at them, an administrative harassment intended to make them hand in their cards. They called them the slow horses. The screw-ups. The losers. They called them the slow horses and they belonged to Jackson Lamb, whom Dickie had encountered, back in the Spooks’ Zoo.
         His mobile gave a blip, but there was no message; only a warning that it was running out of power.
         Dickie knew how it felt. He had nothing to say. Attention wavered and refocused elsewhere. Laptops hummed and mobiles whispered, but Dickie had no voice. Had no movement, bar a feeble flexing of his fingers. The tiny nipple on the keypad’s middle button scratched beneath his thumb: scratch scratch.
         There was an important message to deliver, but Dickie did not know what it was, nor to whom it should be sent. For a few luminous moments he was aware of being part of a warm, humid community, breathing the same air, hearing the same tune. But the tune slipped out of earshot, and became beyond recall. Everything faded, save the scene through the window. The landscape continued unrolling one black fold after another, dotted with pinpricks of light, like sequins on a scarf. And then the lights blurred and dimmed and the darkness rolled over itself one final time, and then there was only the bus carrying its mortal cargo through the night, heading for Oxford, where it would deliver one soul fewer than it had gathered, back in the rain.

Most helpful customer reviews

19 of 20 people found the following review helpful.
Sends Me Back To the Old Days...A Great Idea
By Randy Johnson
Reading DEAD LIONS sent me back to my early years. Though a big fan of the Bond novels, I also loved John Le Carre's work and this book puts me in mind of some of those classics. The spies here are not pretty boys/girls that have members of the opposite sex falling all over them. Mind you, they get their share though. Just hard working folks who do what's necessary to keep their country safe.

Slough House was where disgraced MI5 agents, whether by screw-ups, ineptitude, or just in someone's way got shuffled off to finish their careers. Or quit for something in the private sector, the preferred move.

Dickie Bow wasn't one of the upper level even back in his day. Now long retired, when he's found dead on a bus, ruled a heart attack, Slough House's leader, Jackson Lamb, is suspicious. Even more so when he finds Dickie's mobile phone stuffed into the cushions where he'd died with a one word text, not sent, that read Cicadas.

He puts his folks into looking into it, himself as well, and starts turning up disturbing facts.

I really liked this one. Author Mick Herron has written a novel that paces nicely as he builds his story with each revealed piece and kept me interested all the way.

What more can one ask of a Thriller?

9 of 9 people found the following review helpful.
Misfits of MI-5
By Maine Colonial
At MI-5, if you screw up in a big way--like become a blackout drunk or punch out another agent in the lunchroom or let highly confidential material fall into the hands of the press--then you end up being moved from Regent's Park to Slough House. At Slough House, the "Slow Horses" are given endless, dull paperwork, in hopes they'll give up and resign.

In case the humiliation of becoming a Slow Horse, and the tedium of the work aren't enough encouragement to quit, Slough House boss Jackson Lamb turns up the discomfort level with a constant stream of insult, demeaning assignments (like picking up his takeout orders) and crude gross-outs, like aiming his deadly flatulence directly at his charges.

The current denizens of Slough House are made of sterner stuff, though, and won't be pushed into resigning. Or maybe it's just that they're too stubborn or stupid to realize the movers will never be taking them back to Regent's Park.

As the story begins, an old street agent named Dickie Bow is found dead on a bus near Oxford. Lamb figures out that this is murder and that it's connected with a Cold War Russian spy named Alexander Popov--who may be real or may be a fiction created by MI-5 back in the day. Nobody at Regent's Park would want to be bothered with this, Lamb thinks. They're far too busy spying and conducting disinformation campaigns on each other; probably not all that interested in some washed-up low-level stringer agent from a war they've all but forgotten. Lamb harnesses all the Slow Horses to work on the case; all, that is, except for the two who get a call from the Park to provide protection to a visiting Russian oil baron, Arkady Pushkin, while he's in London for some high-profile meetings and possible recruitment by the Park.

Did you notice that Alexander Popov and Arkady Pashkin have the same initials? One of the Slow Horses, Catherine Standish, does, and that worries her. At first, Lamb is dismissive: "Give me a break. I've got the same initials as . . . Jesus Lhrist, but I don't go on about it. This isn't an Agatha Christie." You'd better believe it isn't an Agatha Christie, and Lamb's crudity and nonsensically comic retorts aren't the half of it. As Catherine's suspicions ferment, the plot bubbles with sleeper spies, Russian gangsters, riot in the streets, guns, explosions and mayhem in London's newest, loftiest skyscraper.

It can be a little difficult at times to keep all the Slow Horses straight, and the plot loses a bit of steam in the middle, but get past this and enjoy Herron's writing. It's full of style and cynical humor, and the last third has all the punch-your-lights-out action of a movie thriller--though the Slow Horses' nonexistent budget means that chases are on foot or bicycle, and weaponry is in short supply.

Slow Horses, Herron's introduction to the Slough House crew, was a finalist for the Crime Writers Association Steel Dagger Award in 2010.

Note: I received a publisher's review copy of Dead Lions.

8 of 9 people found the following review helpful.
The second Slough House novel
By TChris
Dead Lions has everything a good spy novel needs -- intrigue, strong characters, crafty tradecraft, byzantine plotting, sharp prose -- with the addition of a healthy dose of humor. The heroes (if you could call them that) are slow horses: Intelligence Service officers who aren't trusted with serious work, assigned to Slough House in the hope that they will retire or die of boredom.

Dickie Bow, a former spook with a drinking problem who went off the books after the Cold War ended, spots a Moscow hood in London and, acting on instinct, follows him. While riding a bus a couple of seats behind the hood, Bow dies, apparently of a heart attack. Jackson Lamb, in charge of Slough House, investigates Bow's death, while his employees are diligently avoiding productive work -- not that they're ever given productive work to do. The slow horses are an engaging group of misfits, and as the novel unfolds, we get to know them all. We even start to like them ... most of them, anyway.

The Cold War is over, but as Lamb investigates Bow's death, he begins to wonder whether there are Russian spies who didn't get the memo. Particularly the greatest spy of all, a legend who never existed -- unless he did. Lamb's minions at Slough House aren't particularly suited for field work, but Lamb decides to mount an operation that will get to the bottom of Bow's (presumed) murder and a (presumably) long-dormant scheme involving sleeper agents. Meanwhile, without Lamb's knowledge, two slow horses are borrowed from Slough House and tasked with creating a security plan for an upcoming meeting with a Russian industrialist. As you would expect, these plot threads eventually join into a single strand.

I've read any number of spy novels that are more somber than this one but not half as clever. The plot is both wild and wickedly smart. It's also more believable than the plots in many novels that are meant to be taken more seriously. Mick Herron writes in a tone of perfectly understated sarcasm that never fails to amuse. At the same time, he manages to tell a conventional spy story that is sometimes heart-warming and always intriguing. Toward the end, he delivers the excitement of a thriller. All of that, coupled with the cast of quirky characters, make me want to read the novel that introduced the slow horses. If I could, I would give Dead Lions 4 1/2 stars.

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