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Daphne du Maurier and her Sisters, by Jane Dunn
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Celebrated novelist Daphne Du Maurier and her sisters, eclipsed by her fame, are revealed in all their surprising complexity in this riveting new biography.
The middle sister in a famous artistic dynasty, Daphne du Maurier is one of the master storytellers of our time, author of ‘Rebecca’, ‘Jamaica Inn’ and ‘My Cousin Rachel’, and short stories, ‘Don’t Look Now’ and the terrifying ‘The Birds’ among many. Her stories were made memorable by the iconic films they inspired, three of them classic Hitchcock chillers. But it was her sisters, writer Angela and artist Jeanne,who found the courage to defy the conventions that hampered Daphne’s emotional life.
In this group biography they are considered side by side, as they were in life, three sisters who grew up during the 20th century in the glamorous hothouse of a theatrical family dominated by a charismatic and powerful father. This family dynamic reveals the hidden lives of Piffy, Bird & Bing, full of social non-conformity, love, rivalry and compulsive make-believe, their lives as psychologically complex as a Daphne du Maurier novel.
- Sales Rank: #385580 in eBooks
- Published on: 2013-02-21
- Released on: 2013-02-21
- Format: Kindle eBook
- Number of items: 1
Review
Perceptive and exuberant a saga that is sparklingly re-told The Times
The fascination for readers is the different character and destiny of each sister, plus their relationships with one another and with the dynamics of the family romance and few family romances have been more potent than that of the du Mauriers Spectator
Daphne is a compelling subject passionate and cold, attractive and repellent Angela suffers, as she did in life from Daphne s infinitely more intriguing saga Evening Standard
Meticulous, perceptive it is a sign of Jane Dunn s generous professionalism that she accords the du Maurier girls the same respect that she gave Bloomsbury s high priestesses in her acclaimed study of Woolf and her sister Vanessa Bell Financial Times
Engaging this book s strength lies in its account of a trio of lives developing during a period of class and gender upheaval, and the sisters response to social change Independent
Compelling sensitive and sympathetic loneliness is the thudding heart of Dunn s book, about three pampered sisters who never quite overcame the handicap of not being boys Daily Telegraph
Intriguing and revelatory biography [of] complex and contradictory lives Scotsman
Jane Dunn specialises in female relationships, and she has found three splendid women for her new book Dunn writes with haunting delicacy and she evokes a long-lost England in which women felt deep passions and survived emotional hurricanes with amazing outward restraint Mail on Sunday
Dunn is excellent on the lesbian 1920s and 30s in London, with delicious detail Guardian
An original, well-researched and very readable book full of well-chosen details and perceptive observations. In the subject of rivalry between literary sisters Jane Dunn has found a little goldmine Literary Review"
About the Author
Described by the Sunday Times as ‘one of our best biographers’, Jane Dunn writes about women and their relationships, and sisters in particular. Her books include a biography of the sisters Virginia Woolf and Vanessa Bell and the bestseller Elizabeth & Mary, which looks at the lives of the cousin queens Elizabeth I and Mary Queen of Scots. She is a Fellow of the Royal Society of Literature and lives in Bath with her husband the writer and linguist, Nicholas Ostler.
Most helpful customer reviews
12 of 12 people found the following review helpful.
Daphne du Maurier and her Sisters
By S Riaz
I have enjoyed many of Jane Dunn's previous books, including her joint biography of Virginia Woolf and Vanessa Bell, which also looked at the relationship between sisters ; so I had great expectations of her latest work and was not disappointed. Angela, Daphne and Jeanne du Maurier were born into a family of storytellers, the celebrity children of actor/theatre manager father Gerald and actress mother, Muriel Beaumont. Theirs was a life of privilege and a feeling of being special, although it was certainly not always happy. Muriel was a remote and selfish woman, while Gerald was mercurial, emotional, attention seeking and demanding. Daphne certainly came to dislike the constant socialising and, it is clear from the book, that Gerald always put himself first and the household spent much time in trying to placate him and keep him happy. All three girls shied away from the ideal of their parents marriage, with Muriel giving up her career to put her husband first at all times and, as they grew older, Angela and Daphne came to dread their father's attempts to control their lives and friendships.
Angela, the eldest, was a trusting and emotional girl, slightly overweight and plainer than her sisters. She often became the butt of Gerald's cruel humour and it is plain that her self confidence suffered under his jibes. Daphne was far more detached, less naive and believing. Jeanne, the youngest, was closer to her mother than the elder daughters. Daphne was easily Gerald's favourite, although her relationship with her mother suffered because of it. The author takes us through their early lives, through intermittent schooling, their London homes and the family love affair with Cornwall. Angela spend much of her youth suffering painful crushes before eventually finding a partner who was supportive and loving towards her. Both Angela and Jeanne found their life partners with other women, although Angela certainly had relationships with men as well. Of the three sisters, Daphne was the only one who married.
This book is, of course, called Daphne du Maurier and her sisters and there is no avoiding the fact that it is Daphne who was the most successful of the three in her career; although Angela was also a published author and Jeanne an artist. It was Daphne who was undoubtedly the most determined to become independent - even once married she found it hard to live without the space she needed to write. Dunn unfolds her life, career and relationships alongside that of her sisters, careful for no story to overwhelm the other. Despite her often difficult relationship with her own mother, it is odd to read of Daphne du Maurier, perhaps unintentionally, mirroring Muriel's own disinterest once she had children of her own. Certainly, her writing and Hitchcock's success with making films from her work, meant that she was financially independent. Daphne's own obsessions were partly with people, love affairs and crushes and a deep love for her only son, and mostly with the house of Menabilly, which she obviously used in her inspiration for Manderley.
Overall, this book works as a biography of a family, as well as of the individual sisters. Angela and Daphne were also close confidants. Jeanne may have felt resentful, especially during the war years, when she shouldered most of the burdens; but all three sisters were always there for each other. As with other books by this author, this is a well researched, well written and extremely enjoyable biography, which leaves you feeling you have a greater understanding of the sisters and of their lives and work. Their relationships, both with each other and of their lovers, friends and family, are dealt with sensitively, and the book a great joy to read; intelligent, well written and immensely readable.
2 of 2 people found the following review helpful.
Exquisite Intimacies
By Peta-Lyn Farwagi
I loved this book. Jane Dunn's ability to draw me into the du Maurier family's riveting lives, as well as through the kaleidoscopic, challenging twentieth century times they lived in, is exquisite and I kept being drawn back like a magnet. It is so finely observed, warm hearted and captivating. Dunn shows the three sisters' vulnerability to their hugely eccentric family and theatrical environment and I was fascinated that with this kind of life start and fragility they could keep turning up in their lives. We are taken into wonderful successes, such as three of Daphne's stories being made into films by Alfred Hitchcock, the gloomier realities of second world war struggles, as well as the vagaries and intimacies of their affairs and exotic travels. Because Dunn has made the biography not just about Daphne but about Daphne and her writer and painter sisters she has been fully able to show us how the defiant, unconventional and not quite so respectable side of their lives streamed all the way through and was given life in their deep connections to each other. This is a book that made me look at my own untidy family differently and I thank her for this too.
2 of 2 people found the following review helpful.
Du Maurier remembered
By A Rochester
Years ago I read and so enjoyed Daphne Du Maurier's books.
She was a wonderful writer. I still well remember those books'
If I had known anything about Du Maurier's life I had forgotten it.
I found it interesting that she was from a well know family of the arts.
Dating back to her granddad they had been writers, artist and actors
She had 2 beloved sisters, the 3 remained close until their deaths at
a very old age. Daphne was the first to go. She was also the only one who
had children. The book was interesting but a rather slow read. It is well
researched and well written, but did not hold my interest. I finished it,
but often toyed with the idea of reading the end. I now feel compelled go back
and reread some of those wonderful books Du Maurier wrote
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